Saturday, 24 August 2013
xi
Introduction
Both juicy and exceedingly dry, sensitive and cynical, ahead of its
time and appallingly retrograde, the Kamasutra is the most famous
guide to sensual pleasure ever written—indeed, one of the most
notorious books in the history of the world. Its acute insights into
human nature are still relevant today.
While previous publishers typically either stole the word
“Kamasutra” and slapped it on a book of modern photographs, or
neglected to include the original Sanskrit, or reprinted an old, faulty
translation (or introduced a new, faulty translation), or included
reproductions of miniatures made more than a millennium after
the text was composed, YogaVidya.com and I have labored mightily
to create a proper edition. It includes the original Sanskrit typeset
in Devanagari, a new, accurate and readable English translation,
and illustrations using period clothing, jewelry, and settings that
actually correspond to what is described in the text.
Composed in northern India in the third or fourth century ce
at the beginning of the Gupta Empire, the apex of India’s classical
civilization, the Kamasutra is the oldest existing Indian text about
pleasure. It was a handbook for the urbane man of culture, courtesans,
and upper-class women. Painting a vivid picture of life in
India, its ideas permeated classical literature. It is a digest of several
older works, which in turn were said to draw from a large work by
an attendant of the god Shiva, implying a divine origin.
xi
Introduction
Both juicy and exceedingly dry, sensitive and cynical, ahead of its
time and appallingly retrograde, the Kamasutra is the most famous
guide to sensual pleasure ever written—indeed, one of the most
notorious books in the history of the world. Its acute insights into
human nature are still relevant today.
While previous publishers typically either stole the word
“Kamasutra” and slapped it on a book of modern photographs, or
neglected to include the original Sanskrit, or reprinted an old, faulty
translation (or introduced a new, faulty translation), or included
reproductions of miniatures made more than a millennium after
the text was composed, YogaVidya.com and I have labored mightily
to create a proper edition. It includes the original Sanskrit typeset
in Devanagari, a new, accurate and readable English translation,
and illustrations using period clothing, jewelry, and settings that
actually correspond to what is described in the text.
Composed in northern India in the third or fourth century ce
at the beginning of the Gupta Empire, the apex of India’s classical
civilization, the Kamasutra is the oldest existing Indian text about
pleasure. It was a handbook for the urbane man of culture, courtesans,
and upper-class women. Painting a vivid picture of life in
India, its ideas permeated classical literature. It is a digest of several
older works, which in turn were said to draw from a large work by
an attendant of the god Shiva, implying a divine origin.
2 ÇŸ–≤ —ΔŸ´ºŸ¿ŸºËÉ¨ΔŸ æËí¤ úŸ≤¤™‰ ™´¥˘–ŸÆ™Å || 4
Matsyendra, Goraksha, and others know well the science
of Hatha. By their grace, Yogi Svatmarama also knows it.
Ã˘¤ÇŸ⁄Æ≤Ÿ¨º´—æ‰≥Æ˙ÀŸΠ¿Ÿ≤≥Æ∫Ê¿ΔŸÅ |
òÈ¿óÓ¤º¤≤íË¿’⁄Δ¬¥Ÿ’⁄Πƒ‰ÀæŸÅ || 5
º≥¨Ÿ≤Ë ∫Ê¿ΔË æËí¤ ⁄–⁄ØÛΠ‹@ØÛXŸ é≥¨⁄•Å |
éË¿©¢éÅ –‹¿Ÿ≤≥ÆÅ ⁄–ØÛ¥ŸÆXŸ ò¥@⁄¢Å || 6
éŸ≤‰¿¤ ¥›ù楟ÆXŸ ⁄≤´æ≤Ÿ¨Ë ⁄≤¿†Ú≤Å |
饟ƒ¤ ⁄Π≥Æ‹≤Ÿ¨XŸ éŸéò©•¤ÕΔ¿ŸvæÅ || 7
Ç\ŸºÅ ¥˘∫‹Æ‰ΔXŸ îË•Ÿò˃¤ ò ⁄¢⁄©¢⁄®Å |
∫Ÿ≤‹é¤ ≤Ÿ¿Æ‰ΔXŸ ꩕Š韥Ÿ⁄ƒé—™¨Ÿ || 8
Ñ´æŸÆæË º“Ÿ⁄–ØÛŸ “§æËí¥˘∫ŸΔ™Å |
ê©•⁄æ´ΔŸ 韃Ʃ•Ä Π˘“˜Ÿ©•‰ ⁄Δò¿⁄≥™ ™‰ || 9
Shiva, Matsyendra, Shabara, Anandabhairava,
Chaurangi, Mina, Goraksha, Virupaksha, Bileshaya,
Manthana, Bhairava, Siddhi, Buddha, Kanthadi,
Korantaka, Surananda, Siddhapada, Charpati, Kaneri,
Pujyapada, Nityanatha, Niranjana, Kapali, Bindunatha,
Kakachandishvara, Allama Prabhudeva, Ghodacholi,
Tintini, Bhanuki, Naradeva, Khanda, and Kapalika—
these and other great masters, having conquered death
through the power of Hatha Yoga, roam the universe.
ÇÀ‰OE™Ÿ¥™μ™Ÿ≤ŸÄ –ºŸÃ˘æº§Ë “§Å |
Matsyendra, Goraksha, and others know well the science
of Hatha. By their grace, Yogi Svatmarama also knows it.
Ã˘¤ÇŸ⁄Æ≤Ÿ¨º´—æ‰≥Æ˙ÀŸΠ¿Ÿ≤≥Æ∫Ê¿ΔŸÅ |
òÈ¿óÓ¤º¤≤íË¿’⁄Δ¬¥Ÿ’⁄Πƒ‰ÀæŸÅ || 5
º≥¨Ÿ≤Ë ∫Ê¿ΔË æËí¤ ⁄–⁄ØÛΠ‹@ØÛXŸ é≥¨⁄•Å |
éË¿©¢éÅ –‹¿Ÿ≤≥ÆÅ ⁄–ØÛ¥ŸÆXŸ ò¥@⁄¢Å || 6
éŸ≤‰¿¤ ¥›ù楟ÆXŸ ⁄≤´æ≤Ÿ¨Ë ⁄≤¿†Ú≤Å |
饟ƒ¤ ⁄Π≥Æ‹≤Ÿ¨XŸ éŸéò©•¤ÕΔ¿ŸvæÅ || 7
Ç\ŸºÅ ¥˘∫‹Æ‰ΔXŸ îË•Ÿò˃¤ ò ⁄¢⁄©¢⁄®Å |
∫Ÿ≤‹é¤ ≤Ÿ¿Æ‰ΔXŸ ꩕Š韥Ÿ⁄ƒé—™¨Ÿ || 8
Ñ´æŸÆæË º“Ÿ⁄–ØÛŸ “§æËí¥˘∫ŸΔ™Å |
ê©•⁄æ´ΔŸ 韃Ʃ•Ä Π˘“˜Ÿ©•‰ ⁄Δò¿⁄≥™ ™‰ || 9
Shiva, Matsyendra, Shabara, Anandabhairava,
Chaurangi, Mina, Goraksha, Virupaksha, Bileshaya,
Manthana, Bhairava, Siddhi, Buddha, Kanthadi,
Korantaka, Surananda, Siddhapada, Charpati, Kaneri,
Pujyapada, Nityanatha, Niranjana, Kapali, Bindunatha,
Kakachandishvara, Allama Prabhudeva, Ghodacholi,
Tintini, Bhanuki, Naradeva, Khanda, and Kapalika—
these and other great masters, having conquered death
through the power of Hatha Yoga, roam the universe.
ÇÀ‰OE™Ÿ¥™μ™Ÿ≤ŸÄ –ºŸÃ˘æº§Ë “§Å |
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